Sunday, March 8, 2020

Liana Berube, violin and Elizabeth Dorman, piano


Violinist Liana Berube of the Delphi Trio and pianist Elizabeth Dorman team up to present an afternoon of Brahms, Mozart, and more!

The artistry of violinist Liana Bérubé is inextricably intertwined with self-knowledge and self-compassion. Her openly expressive aesthetic, described as “searching mastery” (Charleston Gazette-Mail), has been heard in North America, Europe, Asia, and Australia. She is co-founder and violinist of the Delphi Trio. Concerto performances include appearances with Thirteen Strings Chamber Orchestra, Sinfonia Toronto, Bear Valley Music Festival Orchestra, the Oakland Symphony, the San Jose Chamber Orchestra, and the San Francisco Chamber Orchestra.

Praised by Joshua Kosman of the San Francisco Chronicle for her “crisp, brightly finished” playing and her “elegance and verve,” pianist Elizabeth Dorman received the 2017 Father Merlet Award from Pro Musicis and was a finalist in the 2018 Leipzig International Bach Competition. Appearances in the 2018-2019 season include Leipzig Chamber Orchestra and Folsom Lake Symphony, solo recitals in Washington, California, and New York, chamber music performances with principal players from the Los Angeles and New York Philharmonics as well as members of the Chamber Music Society of Lincoln Center.

Liana Berube & Elizabeth Dorman at the Maybeck
Sunday, March 08, 2020 at 3:00pm
This concert is $20 General Admission


The artistry of violinist Liana Bérubé is inextricably intertwined with self-knowledge and self-compassion. Her openly expressive aesthetic, described as “searching mastery” (Charleston Gazette-Mail), has been heard in North America, Europe, Asia, and Australia. She is co-founder and violinist of the Delphi Trio. Concerto performances include appearances with Thirteen Strings Chamber Orchestra, Sinfonia Toronto, Bear Valley Music Festival Orchestra, the Oakland Symphony, the San Jose Chamber Orchestra, and the San Francisco Chamber Orchestra. She has been heard on NPR, CBC, VH1, WFMT Chicago, and Dutch Radio 4, and has collaborated with artists such as Emmanuel Ax, Rachel Barton Pine, Anthony Marwood, Elizabeth Blumenstock, Monica Huggett, and the Alexander String Quartet. Concert appearances include Chamber Music Concerts Ashland, Great Lakes Chamber Music Festival, Orlando Festival, Artist Series of Sarasota, Kronos Festival, Morrison Artist Series, Harry Jacobs Chamber Music Society, Valley of the Moon Music Festival, the Verbier Festival, and the Schleswig-Holstein Musik Festival. Liana strongly believes in listening to intuition, subconscious, and instinct, in order to express the innate knowledge of personal truth through art.

Praised by Joshua Kosman of the San Francisco Chronicle for her “crisp, brightly finished” playing and her “elegance and verve,” pianist Elizabeth Dorman received the 2017 Father Merlet Award from Pro Musicis and was a finalist in the 2018 Leipzig International Bach Competition. Appearances in the 2018-2019 season include Leipzig Chamber Orchestra and Folsom Lake Symphony, solo recitals in Washington, California, and New York, chamber music performances with principal players from the Los Angeles and New York Philharmonics as well as members of the Chamber Music Society of Lincoln Center. Upcoming recording projects include an album of Scarlatti sonatas, anticipated for release in Fall 2019.

Elizabeth performs frequently as a soloist and chamber musician and is a member of New York’s Bridge Arts Ensemble. Elizabeth was an Artist in Residence at the Banff Centre and has also appeared at summer festivals including Tanglewood, Sarasota, Aspen, Toronto, Icicle Creek, and her live performances have been nationally broadcast on public radio. She has appeared as a soloist with orchestra in San Francisco’s Davies Symphony Hall, Stanford’s Bing Concert Hall, Leipzig's Hochschule für Musik, Walnut Creek’s Lesher Center for the Arts, San Francisco’s Herbst Theater, and at the San Francisco Conservatory of Music. Elizabeth was also winner of the San Francisco Symphony Youth Orchestra Concerto Competition, the Ross McKee competition, and the California Young Artist’s Beethoven Competition.

Currently based in New York City, Elizabeth is a doctoral candidate of Gilbert Kalish at Stony Brook University, where she also serves as Adjunct Lecturer of Piano Pedagogy. A passionate educator, she has previously held teaching positions at the San Francisco Conservatory of Music Preparatory Division and has been piano faculty at summer festivals including the Icicle Creek Music Center and Summer Music West at the San Francisco Conservatory. She has participated in masterclasses with Robert Levin, Robert McDonald, Leon Fleisher, Wu Han, Arthur Haas, John Perry, Menahem Pressler, and Ann Schein. A native of San Francisco, CA, Elizabeth began her training with Paul Hersh at the San Francisco Conservatory of Music.